film report: Point Break (1991)

I was surprised how well this early 90s action flick held up; I would now regard it as one of the best action films I’ve seen. Keanu Reeves is the star, a FBI agent called Johnny Utah going after a gang of bank robbers; he is here very much in his 90s role as a kind of blank, a “neo”, likeable enough but not to be compared to his profoundly human old dog John Wick; the real power of the film is from the perfect balance of the almost-not-there Reeves and the brilliant supporting cast, e.g. Mister Joshua himself, the excellent Gary Busey as Utah’s older partner who theorises that the bank robbers are in fact surfers, leading to Utah embedding himself in the surfer community.

And then of course there is Dalton, Patrick Swayze, surely one of the most beautiful men, the most poetic, sensitive, violent, spiritual. Here he’s actually called Boddhi and is the head of the surfers, full of gems of hippy wisdom but also perfectly capable of delivering the meritorious beatdown.

There are also little cameos, e.g. Tom Sizemore as an undercover DEA agent, Anthony Kiedis (Swan from the Red Hot Chili Peppers) as a belligerent surfer, and a great John C McGinley (Sgt O’Neill from Platoon) as a the obligatory 80s stupid police boss.

It is wonderfully directed by Katherine Bigelow, with adroit and imaginative camerawork. She has the sensitivity to let the characters breathe and be complexly human & brutal. There is a rich humanity to the film, with even quite minor characters given a convincing, individual presence & magic.

The whole hippy surfer thing, about escaping, Matrix-like, from the workaday system is well-handled; for all its evident silliness, somehow it seems plausible here, with Patrick Swayze talking the talk and surfing the surf. In these moments, you can believe in the Männerbund, in the conflict & confrontation of a man with his fate, and his eventual enlightenment & release, even if in death.

a mask in time of plague

Coronachan has withdrawn but people still wear masks here in Italy, often as a fashion accessory. I hate the mask. Perhaps in time people will choose to wear the mask at all hours, even when the government admit there is no further risk of contagion.

I readily imagine a future where everyone wears the mask, all the time. What special etiquette and caution must attend the removal, to eat and drink, to kiss. How to die in a mask. A city of men & women who wear increasingly decorative masks, ingeniously adorned & festooned; and then there will come the time when the masked citizens adopt a sponsor, when Audi or Bacardi or Siemens will pay people to wear a branded mask, when one can make a living walking about all day with a corporate insignia covering one’s mouth.

so hard

Classic Pet Shop Boys: angelic vocals from Neil Tennant, and strong but not too strong hints of depravity in the lyrics:

I’m always hoping you’ll be faithful

But you’re not, I suppose

We’ve both given up smoking ’cause it’s fatal

So whose matches are those?

“Fatal” is very fine: it gives hints of drug overdoses and AIDS, of the wages of sin. A modern song would most likely eschew even the hint, and go into sordid, tedious detail. I also like the “I suppose” – a little overly polite, as if in discomfort.

the habitations

O deliver not the soul of thy turtledove unto the multitude of the wicked: forget not the congregation of thy poor for ever.

Have respect unto the covenant: for the dark places of the earth are full of the habitations of cruelty.

(Psalm 74. 19-20)

 

the ghost books

Having almost no work, I have taken to strolling into the town centre to partake of an Aperol Spritz in the afternoon. Provided one brings a good book, and one is not molested by African or gypsy beggars, or pigeons, it is a highly civilised pastime. I was reading Sun Tzu today and there was (inevitably) mention of Clausewitz in the introduction; I remember reading Clausewitz a few years ago on my now-defunct Kindle, being very impressed, but I now recall almost nothing. There is a strangely spectral quality to the books I have read on a Kindle, the memories more like distant dreams than lived remembrance & experience.

I ordered a new Kindle, having accidentally broken my last. When it arrives, I want to continue with some of the books I was only part-way through (Know no Fear, Mein Kampf, Target Patton, among others). I wonder if instead of just highlighting passages, I should laboriously copy the best out by hand, or by typewriter. I have, after all, two broken Kindles loaded with inaccessible highlights, but ink on paper is fairly enduring. If so, my reading practice would be returning to something of the more distant past, when commonplace books were, well, common.

If so, at the end of my largely misbegotten & ghastly life, I shall have a literary memory of vast, spectral libraries, shelves of books with faded titles, books you open and as in a dream there is only a smudged, faded letterage; and then there will be a few handwritten books of mine, where in rollerball or fountain pen or biro or pencil, I have preserved an incoherent, disjointed substance, lines from poems without attribution, paragraphs from Technological Slavery right next to passages from Evelyn Waugh and Plato – and these shall be bright & solid.

weight loss tips

I was about 9 stone (57 kg) for most of my adult life, however ballooning hideously up to 11 stone when I hit 36. It was difficult to get it below about 10.5 stone; I’m now 9 stone 2 lbs, mostly thanks to a month-long illness and the horrid heat here in Italy. However, I’ve discovered some useful techniques for losing weight:

1. If you can stay in a frame of weight loss, however slight, the body seems to accept it as normal and the metabolism and appetite adjust so you will continue to lose weight provided you don’t eat more than your stomach tells you to eat.

2. Walking. I simply don’t feel hungry if I walk. I get hungrier sitting motionless by my computer than I do by even hard walking. From an evolutionary perspective, perhaps walking sends a “hunting” signal to the body, and since no one could hunt well after eating a McWhopper with extra cheese & fries, walking will rather suppress the appetite.

3. Drinking spirits. Whisky or Grappa are high in calories but also very filling, taken after a meal. Wine, by contrast, is not merely calorific but promotes hunger (in me, at least).

film report: Elite Squad 1 and 2 (Tropa de Elite)

Two Brazilian films about the BOPE, Batalhão de Operações Policiais Especiais, military-grade police specialised in urban environment warfare. I’d meant to see Elite Squad for years, as it comes up on every /pol-approved-film/TV list, and by God it did not disappoint.

The first film focuses mainly on two new BOPE recruits from the perspective of Captain Nascimento, who is hoping one of them can become his successor and he can retire to look after his newborn child. Naturally things don’t work out the way he wants and there is enormous violence.

The second film shifts the focus solidly onto Nascimento as he is kicked upstairs into circles of political corruption.

I loved both films. They are definitely fascist masterpieces, using “fascist” to mean “realistic about the intractable dirt and violence of humanity”. There is a great character in the first, André Mathias, a bespectacled negro who is a Law student at the local university and also a BOPE soldier; scenes with him in a seminar room, surrounded by upper middle class white Leftists who are gibbering about Foucault and police brutality; he looks like he wants to shoot them all in the head. I found it especially pleasing as I know a Brazilian Fascist Chad who won a scholarship to an elite private school and was surrounded by what he calls iphone liberals.

Nascimento is a fantastic character. He has the sad, purposeful eyes of a man long familiar with death.

Every wound, every beating, every torture, every execution, every shoot-out, has left a mark on this face and this soul. Which is how it should be.

film report: Tango & Cash

A film I half-saw in my teens, but only now watched from beginning to end. It is definitely one of the great 80s action/buddy-cop films with Sylvester Stallone and Kurt Russell as maverick badass cops forced to team up to take out some nefarious individuals. It hits every note perfectly: the protagonists have carefully distinct personalities & lifestyles, the bad guys are horrendous & grotesque, there’s a great deal of homoerotic humour, and of course a scene in a strip club, and a scene with Kurt Russell in drag. What more could you possibly want?