on not outgrowing books

Patrick Kurp, as an aside:

As an adolescent, that’s how I first encountered Kafka and Dostoevsky, writers once important to me. The method isn’t foolproof. Sometimes we choose dull or stupid books, or books that aren’t right for us. Perhaps we are not the ideal reader. Kafka and Dostoevsky are no longer right for me but others prize them.

Kurp often mentions writers that he once liked but now despises, for example Hart Crane is now simply too wild to countenance. Kurp is now too sober and austere for such juvenile oupourings, I guess (ho ho ho). 

I thought back over my decades and realised I simply don’t outgrow things. I spent my entire teens reading Fantasy books and while I transitioned to Serious Literature when I was 20, I occasionally re-read e.g. Margaret Weis & Tracy Hickman’s Dragonlance series, or David Eddings’ Belgariad, and just last year I re-read Douglas Hill’s Keill Randor books with great pleasure. I no longer seek out new Fantasy books, as every attempt (barring Susanna Clarke’s Jonathan Strange & Mr Norrell) has ended badly, but every few years I like to revisit the pleasures of my youth. 

There are Serious Writers I fell out of love with, for example William Burroughs and Jack Kerouac but even here my literary judgement hasn’t changed that much; I esteemed Burroughs & Kerouac because, aged 20, they were two of the first non-Fantasy authors I encountered, and they seemed like a portal to adulthood.

I thought they were cool the way a 14-year-old thinks smoking makes him a man. My literary judgement, however, was more neutral. I found Naked Lunch and Queer amusing & comical, the rest of Burroughs’ books pretty much hit & miss, and Kerouac’s works enjoyable but slight. I thought that Allen Ginsberg was mostly shit, ‘Howl’ and one or two other poems being enjoyable rhetorical bombast at best, the rest of his work being utter dreck. Even as the whole Beat image – drugs, alcohol, criminality – has long since ceased to allure, I dare say my literary judgement wouldn’t have changed that much over the last 15+ years, that is, I would probably still enjoy some of Kerouac & Burroughs. 

I was wondering if there was something wrong with me, since Kurp seems to have outgrown and come to despise almost everything he’s ever read. Am I weird, for still liking T.S. Eliot and Nietzsche, Proust and Thomas Mann, after two decades?

My nature seems fairly constant in spite of much surface change: where I despise people I used to pal about with, it’s not that either of us have changed that much; it’s more that where I was once willing to tolerate a fair amount of bombast, finger-stabbing hectoring, sneers, cowardice, etc., because I thought well no one’s perfect, now I’m just too old and impatient to tolerate what Joe Biden would call malarkey

Twenty and more years ago, there were books I read because they seemed like the sort of things I should be reading, but if I didn’t like them I didn’t like them and that was that. I didn’t find Colin Wilson’s The Outsider all that interesting, or Sartre, even though I wanted to. By contrast, there were books which took me wholly & pleasantly by surprise: Penelope Fitzgerald’s The Blue Flower, Thomas Bernhard’s Holzfällen, Kafka’s Zuräu Aphorisms, Beckett’s Trilogy, Sir Philip Sidney’s Astrophel & Stella. I suppose reading habits are as various as people, which is one reason I rarely recommend books – apart, of course, from the fact that nobody reads books anymore.

reading a face: Trump in Houston

 

Donald Trump in a relief centre (Leftists would say “concentration camp”) following the Hurricane Harvey floods.

I’m currently reading Hamlet aloud with my girlfriend. Despite having read it at least a dozen times over the last two decades, the process of reading it aloud has sensitized me to the range of possibility in each character – I often have to think “should I read Claudius as slimy here? or genuinely caring?” We just read Hamlet’s first encounter with the Ghost; my feeling is that Hamlet has an innate mental instability (“some vicious mole of nature”) and the Ghost knocks him half over the edge; his later “But I’m MAD!!!” act is both a protective mask and an expression of his real & increasing instability – as is often the case with Shakespeare, the characters act some version of themselves, so Iago is genuinely concerned for Othello, at the same time as he wants to destroy him.

Trump is very Shakespearean, I feel; in that he learnt early on to hide his real self, to project an expedient persona. One need only compare his post-reality-tv appearances to this 1980 interview:

https://www.youtube.com/watch?v=nAgJAxkALyc

Many intelligent & perceptive people mistake his current, crafted persona for reality. They think of Trump as an 80-IQ buffoon who somehow ended up as a billionaire; and a billionaire not in a heavily aleatory field (Wall Street) but in a very down-to-earth and pragmatic matter: real estate development. But I think those who sneer at him as a “Clotus” (nice allusion from Patrick Kurp) are somewhat dazzled by their own intelligence & learning; for these fine folk, being obviously well-read and intellectual is a matter of societal caste; the Cloud People maintain what Michael Cassio calls “reputation” by sneering at anyone who hasn’t read Cynthia Ozick. In Kierkegaard’s terms, you could say they have become immured in the aesthetic domain, and so all their ethical verdicts are, ultimately, to do with aesthetics: “but he hasn’t even read Henry James!”

I’ve noticed that the genuine aristocracy and old money tend to be neutral on the Trump Question; it is the social climbers (e.g. those from Dirt People roots) who most vehemently despise Trump.

Our modern Gatsbies and Undine Spraggs loathe Trump because he early on decided it would be better to communicate with the 99% who hadn’t read Spinoza than those with soft hands and fine manners who make caste judgements based on grammar. That is, Trump decided to communicate with the horny-handed parents and grandparents of intellectuals who haven’t broken a fingernail in 40 years; and for this the Cloud People hate him.

These people despise Trump; they call him an oaf and a buffoon and every -ist, regardless of the facts; and yet this is a man who, on the admission of an illegal immigrant, in a MSM hit piece, demonstrates an unshowy, everyday kindness:

Ms. Morales said she will never forget the day Mr. Trump pulled up to the pro shop in his cart as she was washing its large, arched windows. Noticing that Ms. Morales, who is shy of five feet tall, could not reach the top, he said, “Excuse me,” grabbed her rag and wiped the upper portion of the glass.

The Cloud People despise Trump for being brash and loud, and in so doing demonstrate their inability to understand life as it is for those who don’t read Amos Oz and Spinoza. They cannot grasp a simple concept: Trump wears a mask; but then, it is not a mask designed to flatter the Cloud People (who desire, above all, to be praised).

As with all great performers, one must pay attention when the mask cracks. And so with the above photograph of Trump: what can one see here? He is old, he lacks the usual bravado & bullheaded confidence; he is content to sit half-obscured by childish clutter; he is content to be neglected, to be on the margins, to be a tolerated visitant. Note the baseball-capped woman reaching past him, the seated woman to his right talking to someone else, the negro child who probably doesn’t know or care who Trump is; and then note his smile: the smile of the God Emperor who is tired, old, and happy to have nothing important to do for a few hours, to just sit and let his photographers do their work, as he watches the relief workers and the homeless, his people whether they value him or not.