on divination, Oracle Cards, Tarot, runes, our mortal being

Varg Vikernes had a good video, on his now-Shoahed channel, about “cosmic censorship”. Quoth Varg:

“We cannot find these things that way for a reason. That there is some sort of cosmic censorship preventing us from understanding, because we are not meant to, because it’s not that track we are supposed to follow, because it’s not going to help us in any way, even if we find out these things.”

I’ve been doing a lot of Tarot readings recently, as my life is desperate and I can see no way out. I’ve also briefly experimented with oracle cards but found them often useless. I believe this is because they are too obvious: whereas the Tarot will yield a suggestive image

an Oracle Card will tell you something like “consider your friendships” or “believe in yourself”. A sceptic might say that, with oracle cards, there is no room for the deluded to weave a justifying fantasy. Perhaps. But I have also occasionally had Tarot readings that simply made no sense – which is an answer of sorts; as it were invalidating the query.

The word rune comes from Old English run, meaning a secret or mystery. I believe there is a kind of existential censorship, which limits us to interpretation, speculation, uncertainty. Divination, at least in my experience, works very well but only within a speculative context; only insofar as everything is deniable (it is, in this sense, akin to a “Q proof”). When divination becomes too mechanistic, too obvious, it fails.

This suggests, to me, that we mortal beings are not intended to perceive face to face, but rather through a glass darkly. When I began my largely self-initiation, just over a decade ago, I experienced a number of omens, real-world events, visions, and assumed this was my new normal; instead, after a few weeks things returned (largely) to the banal. I noticed this with others – when they entered the Path, they experienced dazzling tokens of the divine, and then nothing. Some, naturally, lose faith and become apostate; hopping from faith to faith until they finally become secular materialists who wish there was a spiritual force to things, but cannot believe. They are, if not hollow men, at least destitute and forlorn:

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

In Eliot’s poem, the speaker is placed between worlds, unable to devote himself to the merely material, unable to wholly believe. I would say, it is important to recall and rekindle the tokens of faith:

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile

In our material exist, we require the patience and deep roots of the yew, the death tree.

 

film report: Borg vs McEnroe

A film in the vein of Rush, with two antagonistic and, in terms of character, contrasting athletes, John McEnroe and Björn Borg. Shia laBeouf and Sverrir Gudnason are both excellent, with a similar hardened, explosive intensity – the difference being that Gudnason’s Borg seems to explode at some almost undetectable depth of the soul, his impassive Pewdiepie-esque face only occasionally and very faintly registering some kind of internal panic or fury. LaBeouf’s McEnroe is a small, nervous ball of anger (McEnroe is noticeably taller in real life, apparently the same height as Borg – 180 cm). They’re both oddly charismatic.

I especially enjoyed, as in Rush, the post-match accidental meeting of the two men (Borg won). They’re waiting in the airport, Borg spots McEnroe from afar and looks uncertain if he should say anything,

McEnroe however sees him

and immediately walks over, so Borg comes out to meet him

and they have a typically masculine conversation:

McEnroe: Congratulations.

Borg: Thank you.

McEnroe: Yeah. Good match.

Borg: Thought you had me.

McEnroe: Almost, yeah.

There is a taciturn ease here. Borg’s girlfriend is in the background, looking unsure as the men chat and then exchange a hug (in real life, they apparently became good friends after the match).

I enjoyed this film, and Rush, because they demonstrate a feature of male relationships – competition and friendship. In the West, competition is often seen as somehow shameful, because someone has to lose. I knew a homosexual Boomer once who used the word “competition” as synonymous with “aggression” and hated all sports because there are winners and losers. An ex-professor at my university, he said that all students should automatically get a 2:1 just for turning up, and if you want to do the exam you then get a 1st, automatically. It’s very modern thinking and would have struck pretty much every human being who has ever lived as evidently childish, impractical, almost insane thinking.

It’s also a very female view of things. It’s not that women aren’t naturally competitive – they clearly are; but whereas for men competition is a means of establishing the (fluid) hierarchy and getting to know the capabilities and weaknesses of your fellows in order to have an ease and friendliness together, for women it’s more about crushing potential foes. For women, competition is aggression and violence. For men, competition is a modulation of friendship – every competitor is a potential friend, because you get to know people through a certain rough play and jostling, and once you know someone you can be friends.

Thus, women often remark on how aggressive men are, not understanding that it’s not really aggression with the intent of destroying or damaging the adversary; it’s more a testing of boundaries, and what women often mistake for abuse is merely a friendly jest.

Women are inherently averse to risk – there is probably a link between testosterone and the adrenaline release of risk-taking. Thus, women are only confrontational and competitive when they are sure they will win. Women do not understand the concept of the heroic defeat (Thermopylae, The Battle of Maldon, etc.) because a woman would only fight if she was absolutely assured of victory to begin with – and then she would be relentless and vicious. A man would fight to preserve his standing, his sense of himself as a man capable of projecting force in a world of forces & wills – and a man would be more likely to accept a defeated foe’s surrender with good grace. A women would execute or at least enslave the white-flag-waving enemy, because for a woman the whole point of competition is to subjugate and destroy.

As is often the way, fear leads to misprision and violence; strength makes for understanding and peace.